Join printmaker and sculptor Michael Kelly Williams for an immersive, single-session, all-levels workshop in stencil monotype viscosity printing, taking place before the opening reception for Asilah Oui. Organized in conjunction with the exhibition, the workshop offers participants an opportunity to explore experimental printmaking techniques.
EXHIBITION | Asilah Oui: Robert Blackburn in Morocco
September 15 - December 12, 2026
Opening Reception:
Saturday, September 19, 3-6PM
Asilah Oui: Robert Blackburn in Morocco mobilizes firsthand accounts and never-before-exhibited private collections of prints, photographs and ephemera from the first decade of the Asilah Cultural Moussem. Established in 1978, this international festival brought together printmakers, musicians, intellectuals, and poets from around the globe to create, as co-founders Mohamad Melehi and Mohamed Benaissa described it, “a permanent centre for cultural diffusion, rich in authenticity and steeped in heritage.”*
The exhibition illuminates how Robert Blackburn’s Printmaking Workshop served as a conduit in connecting the Moussem’s international artists: from the creative and technical experiments facilitated within the budding print atelier to the cultural exchange reflected in the work produced therein. Asilah Oui celebrates the mutual growth between the two workshops and their intertwined communities.
Together, this presentation reflects the Workshop’s critical history, its contributions to the development of printmaking as both form and practice, and the active evolution of a printmaking community who in Blackburn’s guiding vision of access, equity, and collaboration has made this America’s oldest, continuously operating cooperative printshop.
We would like to thank the following for their contributions, and loans to make this exhibition possible: Hisham Aidi, Mujah Maraini-Melehi, Noor Melehi, Amina Agueznay, Shafiah Bennaissa, Luis Cancel, Ernestine White-Mifetu, Tarek Elhaik, Ryan Lee Gallery, LUHRING AUGUSTINE, Galerie Lelong, Estate of Rodolfo Abulrach and David Nolan Gallery, Judy Blum Reddy, Mohammad Omer Khalil, Jenna Hamed, Amina Ahmad, Simone Fattal, Rose Viggiano, Michael Kelly Williams, and finally, Richard Nelson.
Programming will include a series of print workshops, poetry and screenings. More details to follow.
The Armory Show | Booth N17
The Armory Show
September 24–27, 2026
Robert Blackburn Printmaking Workshop Booth N17
Featuring NEW Editions
MEL EDWARDS
ADEMOLA OLUGEBEFOLA
DINDGA MCCANNON
CYNTHIA HAWKINS
MOHAMMED OMER KHALIL
Location: Javits Center 429 11th Avenue, New York, NY 10001
The Latinx Project
Saturday, October 3, 2026
La Feria: Print Media Fair
Featuring artists from the Robert Blackburn Printmaking Workshop
The Latinx Project presents its third print media fair featuring a mix of exhibitors. You'll find a range of zines, print media, works on paper, and artist prints by exhibitors selected via open call at this one-day event. Alongside the participating artists and small publishers at La Feria, there will also be an academic book showcase with recent works. In the afternoon, we’ll celebrate Intervenxions Vol. 5, a publication featuring original arts writing and criticism.
Location: NYU Latinx Project 20 Cooper Sq., 3rd Fl, New York, NY 10003
EFA Open Studios 2026
Curator Walkthrough: Asilah Oui: Robert Blackburn in Morocco with Imani Congdon
Saturday, October 18, 2–3 PM
Imani Congdon is a researcher and archivist whose work focuses on the communal, political, and organizational functions of the print shop as a site of artistic innovation and cultural exchange. She is the Robert Blackburn Printmaking Workshop Print Collection Archivist and curator of Asilah Oui: Robert Blackburn in Morocco, supported by the Teiger Foundation.
Through a selection of prints, photographs, and archival materials, Congdon will discuss the exhibition's research, the featured artists, and the lasting impact of Robert Blackburn's vision of collaboration, cultural exchange, and international printmaking. Following the walkthrough, attendees will have the opportunity to ask questions and engage in conversation about the exhibition and its themes.
RSVP here
Experimental Print Workshop with Shubho O. Saha
William Anastasi, Without Title [Subway Drawing: 3:14 Aug 20, 1975], 1975. Pencil on paper, 7 1/4 x 11 in.
The Unmemorized Mark with Shubho O. Saha
Printmaking with Meditative and Collective Movements
‘The Unmemorized Mark’ is a participatory printmaking workshop exploring what happens when habitual ways of seeing, moving and making are temporarily suspended.
Rather than teaching a specific printmaking technique, participants will engage in meditation, bodily awareness, spontaneous drawing, cutting, layering, printing and collective action. Our hands carry learned gestures, while our minds interpret the world through accumulated memories. The workshop asks: What kind of mark can emerge when these familiar patterns become quiet?
Participants will begin with simple meditative and bodily exercises, followed by spontaneous drawing and responses to found and textured objects. These marks will gradually enter a shared woodblock, where participants will draw, cut, transform and respond to one another’s actions. The woodblock becomes a collective body and archive of encounters, where no single participant controls the final image.
The resulting collective print will emerge through interaction, uncertainty and shared attention, exploring presence, interconnectedness, memory and collective consciousness.
Participants are requested to bring a few found objects, textured materials, and used home appliances.
Email rbpmw@efanyc.org, or RSVP here
Shubho o Saha is a Dhaka-based interdisciplinary artist, a founding member of the artist collective Back ART Foundation, and the founder director of the Dhaka Live Art Biennale (D’LAB). As a leading advocate for the contemporary art field in Bangladesh, his recent achievement included British Council CTC Grant (2025) on community based sonic art project, and Asian Cultural Council (ACC) fellowship award to research contemporary art practice in the USA (2017). The aim of his work is to discover the secret relationship of nature with its inner self. The abstraction of this relation goes beyond the collaboration of energy sources. His artistic practice is engaged with spirituality and mythological stories where community engagement and cultural awareness remain integral aspects strategies for new artistic creations. He believes in combining sustainable art practices with a deep commitment to long-term involvement and interaction within the community where he is working generates a greater impact for the artistic project.
Shubho’s major achievements also included: ‘Young Printmaker Award’, Bangladesh Cultural Ministry & Kalakendra in 2015, Fellowship at Salina Art Center, KS, USA in 2015, Award on experimental photography from Japan-Bangladesh Society, Tokyo, Japan 2018, Production Fellowship at Shangyuan Art Museum, Beijing, China in 2014, Sand Sculpture Grand prize from Bangladesh Kite Federation in 2009, Dean's Award from University of Dhaka in 2007, and receiving recognition for his innovative ideas and art projects. He works in varied mediums, such as, Printmaking, performance, sculpture, installation, video etc. as a way to express his endless thinking. He has produced many site-specific artworks that examine and deconstruct the relationship between spaces. His works were featured solo in Bangladesh, China and USA and he has participated in many group exhibitions around the world. His works are usually held in private and corporate collections. He earned his BFA and MFA from Faculty of Fine Arts, University of Dhaka, Bangladesh and was born on 26th May, 1983 in Chittagong, Bangladesh.
Poster House: Curatorial Walkthrough with Es-pranza Humphrey
Act Black: Posters from Black American Stage & Screen with Es-pranza Humphrey
LOCATION: POSTER HOUSE 119 W. 23rd Street New York, NY 10011
Starting in the 1880s, Black performers and those invested in telling stories centering Black people attempted to counter the dehumanizing and harmful stereotypes used to portray Black characters. Shows began touting “All Colored Revues” to indicate that a cast was made up of actual Black performers rather than white people in blackface and that these spectacles aimed to build stories around the perception of Black experiences. Although these performances were sometimes flawed and even overtly prejudiced, they represented a significant form of Black American cultural development and expression. Playwrights and composers also expanded the ways in which Black humanity was represented on stage, adding emotional depth and a range of perspectives.
Learn more here! Interested? Email rbpmw@efanyc.org, or RSVP here
Members Tour of New York Public Library Wallach Division of Art
Join us for a members tour of the New York Public Library’s Miriam and Ira D. Wallach Division of Art, Prints and Photographs from Goya to Bearden!
LOCATION
Stephen A. Schwarzman Building
Fifth Avenue and 42nd Street
Third Floor Room 308
New York, NY 10018
212-930-0817
Live SCREEN PRINT | Egg Rolls, Egg Creams, and Empanadas Festival with Loisaida Center
Join us at Egg Rolls, Egg Creams, and Empanadas Festival with Loisaida Center for live screen printing with design by artist Maite Nazario
25th Annual Egg Rolls, Egg Creams, and Empanadas Street Festival
Eldridge Street between Canal & Division Streets
